PORTFOLIO / LISBON

Filipe Archive · Welcome

3D · Photography · Moving Image

INDEX / SELECTED WORK

Odyssey Ship

BRIEFING / 01

Developed as a final Professional Aptitude Project, Odyssey Ship reinterprets Ulysses’ departure vessel in the year 3050, a future dominated by robots, long after humans have disappeared.

Odyssey Ship moving through a storm — 03 / ATMOSPHEREStorm exterior

Odyssey Ship above warm clouds — 04 / LIGHTWarm exterior

Interior environment of the Odyssey Ship — 05 / INTERIORDocking · systems

Panoramic interior walkway of the Odyssey Ship facing a bright light — 06 / INTERIOR LIGHTObservation deck · cinematic horizon

BRIEFING / 02

The vessel was conceived not only as a visual object, but as something that could be assembled plausibly. Its scale suggests orbital construction, a modular logic comparable in principle to the way the International Space Station was assembled in orbit.

SKETCH STUDIES / FORM DEVELOPMENT

Odyssey Ship line sketch study — SKETCH / AMass · deck logic

Odyssey Ship second line sketch study — SKETCH / BSilhouette · proportion

TECHNICAL NOTES

SCALE380 metres

PREMISEUlysses reinterpreted in 3050

WORLDPost-human · robot-dominated

CONSTRUCTIONOrbital assembly logic

OUTPUTStills · technical development · report

TOOLSRhino · Blender

FULL PROJECT REPORT / PORTUGUESE

The complete project, documented.

Odyssey Ship report / PDF

PRODUCT FILM · 3D

The study asks a simple question. What happens when the language of a perfume commercial is applied to an ordinary mechanical pencil?

Research, modelling, lighting, animation and editing were used to elevate an everyday object through rhythm, restraint and detail.

Full product render of a Uni Kuru Toga mechanical pencil — 01 / FULL STUDY

Kuru Toga barrel and name detail — 02 / BARREL

Kuru Toga mechanical pencil tip detail — 03 / TIP

PROJECT NOTES

OUTPUTStills + 78-second film

DIRECTIONPerfume campaign language

ROLEResearch · Model · Light · Animate · Edit

Independent academic work. Not commissioned by or affiliated with Uni Mitsubishi Pencil.

FULL FILM / 01:18

Porsche 718 Cayman

A self-directed photographic study of proportion, material and the emotional charge of warm morning light.

Independent photographic study. Not commissioned by or affiliated with Porsche.

Low front three-quarter view of a white Porsche 718 Cayman T — 01 / EXTERIORLow front three-quarter

Rear three-quarter view of the Porsche 718 Cayman T in warm light — 02 / EXTERIORRear three-quarter

Close detail of the Porsche rear lamp — 03 / DETAILRear lamp

Porsche front wheel and intake detail — 04 / DETAILIntake · wheel

Porsche side intake and body contour — 05 / SURFACESide contour

Porsche rear three-quarter view with the door open — 06 / EXTERIORDoor open

Porsche cockpit and steering wheel — 07 / INTERIORCockpit

Porsche Cayman T side script — 09 / DETAILCayman T script

Porsche rear three-quarter view in its surroundings — 10 / EXTERIORContext

Porsche lettering and 718 badge detail — 11 / DETAILMark

PHOTOGRAPHY / OBJECT / LIGHT

Automotive photography is approached here as an exercise in observation.

Proportion, surface, material and light become a way of reading the object beyond its function.

The intention is not simply to document a car, but to understand how engineering, atmosphere and visual culture can coexist within a single image.

Selected commissions are developed privately, in dialogue with the object, its context and the image it requires.

Collection

A reduced selection of images that are especially important to me, taken on iPhone and vintage cameras. They reflect spaces where I found inspiration, references in colour, and details that later reappeared in other works.

Fisherman on rocks in a vintage-toned photograph — 01 / COAST

Street scene from the personal photography archive — 02 / STREET

Wave study in a vintage photographic treatment — 03 / WATER

Vintage-toned beach photograph — 04 / BEACH

Monochrome airport study — 05 / AIRFIELD

Auditorium photographed on iPhone — 06 / AUDITORIUM

Airport scene photographed on iPhone — 07 / TRANSIT

Pink wave photograph from the personal archive — 08 / WAVE

Black and white photograph of a monument against the sky in London — 09 / MONUMENT

Black and white photograph of a curved architectural facade on Regent Street — 10 / FACADE

Warm-toned photograph of stacked hay bales in a harvested field — 11 / FIELD

Warm architectural photograph beside the Serpentine Gallery — 12 / SERPENTINE

Wide photograph of golden fields and rolling countryside — 13 / LANDSCAPE

Black and white photograph of a grand dining interior with marble and a central clock — 14 / INTERIOR

SOUNDTRACK / ONGOING

MUSIC BEHIND the work.

A selection of the music playing while designing, modelling, rendering and editing.

SCAN / SPOTIFYMusic behind the work

OPEN PLAYLIST

OEIRAS · PORTUGAL

Surfboard Series / Graffiti Experiments

Early experiments in graphic work moved beyond the screen and onto physical surfaces, including a series of surfboard graphics and graffiti studies.

MARTIN · SLOVAKIA

Professional Excellence Days

Selected for an Erasmus professional programme centred on creative exchange, adaptive reuse and technical collaboration.

OEIRAS · PORTUGAL

Odyssey Ship / Secondary School Completion

Completed the Odyssey Ship as the final Professional Aptitude Project, alongside the conclusion of secondary education at Escola Profissional Val do Rio.

ARCHITECTURE · VISUALISATION

Atelier Rebelo de Andrade

A 600-hour placement working across architectural visualisation, 3D modelling, image treatment and digital content inside a professional studio.

LISBON · PORTUGAL

FAUL · University of Lisbon

Beginning the next chapter in Architecture at the Faculty of Architecture, University of Lisbon, while continuing to develop independent work across 3D, photography and moving image.

FIELDS IN THE ARCHIVE

01 DESIGNED OBJECTS

02 ENVIRONMENTS

03 MOVING IMAGE

04 PHOTOGRAPHY

Surfboard Series

Early graphic experiments applied to physical surfaces, including a small series of hand-finished surfboards and related visual studies.

01 / ORCA SERIESBack

02 / ORCA SERIESFront

03 / GRAPHIC STUDYAnimal study

PORTRAIT / 2026Lisbon

PROFILE / 01

Filipe Rodrigues

JUNIOR 3D ARTIST · IMAGE-MAKER

Filipe Rodrigues is a Portuguese junior 3D artist and image-maker based near Lisbon. His work moves between 3D visualisation, photography, moving image and designed objects, combining technical precision with atmosphere and visual storytelling.

Drawn to objects, transport, light and spatial composition, his work is built through observation, experimentation and detail.

BASELisbon, Portugal

CURRENTArchitecture · FAUL, University of Lisbon

PRACTICE3D Visualisation · Photography · Moving Image

APPROACHResearch · Model · Light · Compose · Edit

SELECTED TOOLSRhino · Blender · Adobe Creative Suite

Selected portfolio / PDF

FOR COLLABORATIONS, commissions and unexpected conversations.

If a project belongs in this visual territory, write. The most interesting work often begins before it has a category.

EMAILfilipe.rodrigues.media@gmail.com LINKEDINFilipe Rodrigues INSTAGRAM@pipotheartist